Back in November, Google released artificial intelligence experiment that asks you to draw a random object and see if the neural network can identify your doodle. Quick, Draw! was eventually turned into a tool that transformed drawings into clip art based on the best results it got, helping people add a visual icon to their work without requiring any particular artistic talent. Alongside Google I/O this week, Google has now released the data it received from Quick, Draw! to show you how 15 million people drew the same set of objects. It’s a fascinating look at how humans interpret a random item, from monkeys to parachutes to phones.
A great overview in The Guardian of how illustrator PJ Lynch works in charcoals. Made me want to give it a go.
From smudging techniques to dramatic use of white chalk, Irish illustrator PJ Lynch has some useful tips on how to make great drawings using charcoal
See the full tutorial here – it’s not exhaustive by any means, but it gives you an idea. I’d never come across the tip to start on grey. Why did no one ever tell me that?
Here’s a simple question that can tell us an awful lot about you. Is this a circle? If you said: “Yeah, sure, close enough,” then you are probably politically liberal, and strongly support the idea of government aid for the homeless and unemployed. You are also likely to support same-sex marriage and legalisation of marijuana for recreational use. If you said: “No, of course not,” then you are probably politically conservative, and strongly support the idea of protecting the rights of business owners and having a strong military. You are likely to take a particularly dim view of illegal immigration, and would come down strongly on even relatively low-level crime, such as drug use and prostitution.
Drawing helps us see better. We never look at anything with so much attention as when we’re drawing it, and it’s a thinking attention, comparing this shape with that, the breadth of a hand with the span of the glass it’s holding, the darkness of that shadow with the brown of the velvet curtain, the foliage of that silver birch with the quite different leaves of the hornbeam beside it. Learning to draw is learning to see much
They rank as some of the most admired drawings in the world yet many people will be blissfully unaware of how artists including Leonardo, Dürer and Raphael made them: with a metal stylus over an abrasive surface often made from carbonised bone. The mysteries of a technique called metalpoint are to be explored in an exhibition covering 600 years of art history, the British Museum will announce on Wednesday.